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8 January 1836 – 25 June 1912. Most renowned painters.

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RUYSDAEL, Salomon van
Halt at an Inn (detail)baf

ID: 09028

RUYSDAEL, Salomon van Halt at an Inn (detail)baf
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RUYSDAEL, Salomon van Halt at an Inn (detail)baf


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RUYSDAEL, Salomon van

Dutch Baroque Era Painter, ca.1600-1670. Dutch painter. He is best known for his atmospheric, almost monochromatic, river scenes, painted in the 1630s during the 'tonal phase' of Dutch art. His work in this genre is very close in style to that of Jan van Goyen, and their paintings have often been confused.  Related Paintings of RUYSDAEL, Salomon van :. | A Rievr with Fishermen Drawing a Net | River Scene | River Scene af | After the Rain tg | view of deventer seen from the north west |
Related Artists:
Laurits Andersen Ring
Danish, 1854-1933 Laurits Andersen Ring (1854-1933) was one of the foremost painters of Danish symbolism. He was born as Laurits Andersen in the village Ring in southern Zealand. In 1881 he the took the name of his birth place, and was since known as L.A. Ring. For a while, he lived at Baldersbronde near Hedehusene in the old school building, which was later to be the home of another painter, Ludvig Find. Ring has produced several paintings from these towns. As a painter, he never distanced himself from his humble origin, but rather made it his dominant theme. Most of his paintings depict the village life and landscapes of southern Zealand from Præsto to Nestved. There are several examples of his work at practically every Danish art museum including the Hirschsprung Collection in Copenhagen. He was married on July 25, 1896 to fellow painter Sigrid Kahler, who was the daughter of ceramic artist Herman Kahler.
Jankel Adler
(July 26, 1895 ?C April 25, 1949) was a Polish painter and printmaker. He was born as the seventh of ten children in Tuszyn, a suburb of Ł??dź. In 1912 he began training as an engraver with his uncle in Belgrade. He moved in 1914 to Germany where he lived for a time with his sister in Barmen. There he studied at the college of arts and crafts with professor Gustav Wiethecher. From 1918-1919 he went back to Ł??dź, where he was joint founder of a group of avant-garde artists. In 1920 he returned briefly to Berlin; in 1921 he returned to Barmen, and in 1922 he moved to Desseldorf. There he became a teacher at the Academy of Arts, and became acquainted with Paul Klee, who influenced his work. A painting by Adler received a gold medal at the exhibition German art Desseldorf in 1928. In 1929 and 1930 he went on study trips in Mallorca and other places in Spain. During the election campaign of July 1932 he published with a group of leftist artists and intellectuals an urgent appeal against the policy of the National Socialists and for communism. As a modern artist, and especially as a Jew, he faced persecution under Hitler's regime which took power in 1933.
Frank Bernard Dicksee
(b. London, 27 November 1853 - 17 October 1928) was an English Victorian painter and illustrator, best known for his pictures of dramatic historical and legendary scenes. He also was a noted painter of portraits of fashionable women, which helped to bring him success in his own time. Dicksee's father, Thomas Dicksee, was a painter who taught Frank as well as his brother Herbert and his sister Margaret from a young age. Dicksee enrolled in the Royal Academy in 1870 and achieved early success. He was elected to the Academy in 1891 and became its President in 1924. He was knighted in 1925, and named to the Royal Victorian Order by King George V in 1927. Dicksee painted the piece 'The Funeral of a Viking' in 1893, which now resides in Manchester City Art Gallery, having been there since 1928 when it was presented by Arthur Burton ESQ in memory of his mother to the Corporation of Manchester. Victorian critics gave it both positive and negative reviews, for its perfection as a showpiece and for its dramatic and somewhat staged setting, respectively. The painting was used by Swedish Viking/Black metal band Bathory for the cover of their 1990 album, Hammerheart.






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